Las óleos de todo Salvator Rosa

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20580

A Herois Battle (mk05)

Canvas,84 1/4 x 138 1/4''(214 x 351 cm)Commissioned by the Papal Nuncio Monseigneur Corsini in 1652 in homage to Louis XIV Presented and added to the collection in 1664

29319

A Man

mk65 1640s Oil on canvas 31x25 1/2"

51277

Anchorites Tempted by Demons

1660-65 Oil on canvas 65 x 83 cm

39629

Astraea Leaving the earth

mk150 c.1660/65 Canvas 267.3x169.5cm

31010

Bataille heroique

mk70 Toile H.2.14 L.3.51 Paris.Musee du Louvre

29078

Democritus and Protagoras

mk65 1650s Oil on canvas,transferred from panel 73x50"

33586

Democritus in Meditation

mk86 c.1650 Oil on canvas 344x214cm Copenhagen,StatensMuseum of Kunst

21544

Democritus in Meditation (mk08)

c.1650 Oil on canvas. 344x214cm Copenhagen,Statens Museum for Kunst

91900

Heraklit und Demokrit

um 1645/1649 Medium oil on canvas 7 cm x 116 cm cjr

76349

Jacob Dream

Jacob's Dream, oil on canvas painting by Salvator Rosa, c. 1665 cjr

78194

Jacob s Dream

oil on canvas painting by Salvator Rosa, c. 1665 Date c. 1665 Source ArtDaily.com cyf

3571

Jason Charming the Dragon

Montreal Museum of Fine Arts

80955

Jason Charming the Dragon

oil on canvas painting by Salvator Rosa, about 1665-1670, The Montreal Museum of Fine Arts Date about 1665-1670 Source Artdaily.org cyf

77704

Jason Charming the Dragon,

Jason Charming the Dragon, oil on canvas painting by Salvator Rosa, about 1665-1670, The Montreal Museum of Fine Arts cjr

66708

L ombre de Samuel apparaissant a Saul chez la pythonisse d Endor.

273 ?? 193 cm (107.48 ?? 75.98 in) Oil on canvas 1668

98307

Landscape with Tobit and the angel

oil on canvas, circa 1670. Accession number 181 cyf

58167

Lies

mk261 canvas painting, Florence, Palatina Gallery, Pitti Palace.

29079

Odysseus and Nausicaa

mk65 1650s Oil on canvas transferred from panel 76 1/2x56 1/2"

41014

Portrait of a man

mk159 1640s Oil on canvas 78x64.5cm

83683

portrait Wolfang Amadeus Mozart

Date January 1770 cyf

69554

Pythagoras Emerging from the Underworld

oil on canvas painting by Salvator Rosa

28990

Seascape at Sunset

mk65 Oil on canvas 91 3/4x157 1/16in Pitti,Palatine Gallery

30007

Seascape with Towers

mk67 Oil on canvas 40 3/16x50in Pitti,Palatine Gallery

43099

Self portrait

mk170 circa 1645 Oil on canvas 116.3x94cm

3573

Self Portrait vvv

Metropolitan Museum of Art, New York

3574

Self Portrait vvv

Metropolitan Museum of Art, New York

56074

self portrait as a philosopher

mk247 c.1645,oil on canvas,45x37 in,116.3x94 cm,national gallery,london,uk

3572

Self Portrait bbb

92838

Self-portrait

Oil on canvas, 1163 x 940mm (45 3/4 x 37"). c.1645 cjr

23467

self-Portrait (nn03)

c 1640 Oil on canvas 116 x 94 cm 45 3/4 x 37 in National Gallery London

28122

The Gulf of Salerno

mk61 1640-1645 Oil on canvas 170x260cm

28989

The Lie

mk65 Oil on canvas 53 9/16x37 13/16in Pitti,Palatine Gallery

28988

The Ruined Bridge

mk65 Oil on canvas 77 3/16x50in Pitti,Palatine Gallery

20579

The Spirit of Samuel Called up before Saul by the Witch of Endor (mk05)

1668 Canvas,107 1/2 x 76''(273 x 193 cm)Entered the collection of Louis XIV before 1693 INV

81782

Wolfang Amadeus Mozart

January 1770(1770-01) Medium Oil on canvas cyf

Salvator Rosa

1615-1673 Italian Salvator Rosa Galleries Salvatore Rosa (1615 - March 15, 1673) was an Italian Baroque painter, poet and printmaker, active in Naples, Rome and Florence. As a painter, he is best known as an "unorthodox and extravagant" and a "perpetual rebel" proto-Romantic. His life and writings were equally colorful. He continued apprenticeship with Falcone, helping him complete his battlepiece canvases. In that studio, it is said that Lanfranco took notice of his work, and advised him to relocate to Rome, where he stayed from 1634-6. Returning to Naples, he began painting haunting landscapes, overgrown with vegetation, or jagged beaches, mountains, and caves. Rosa was among the first to paint "romantic" landscapes, with a special turn for scenes of picturesque often turbulent and rugged scenes peopled with shepherds, brigands, seamen, soldiers. These early landscapes were sold cheaply through private dealers. This class of paintings peculiarly suited him. He returned to Rome in 1638-39, where he was housed by Cardinal Francesco Maria Brancaccio, bishop of Viterbo. For the Chiesa Santa Maria della Morte in Viterbo, Rosa painted his first and one of his few altarpieces with an Incredulity of Thomas. While Rosa had a facile genius at painting, he pursued a wide variety of arts: music, poetry, writing, etching, and acting. In Rome, he befriended Pietro Testa and Claude Lorraine. During a Roman carnival play he wrote and acted in a masque, in which his character bustled about Rome distributing satirical prescriptions for diseases of the body and more particularly of the mind. In costume, he inveighed against the farcical comedies acted in the Trastevere under the direction of Bernini. While his plays were successful, this also gained him powerful enemies among patrons and artists, including Bernini himself, in Rome. By late 1639, he had had to relocate to Florence, where he stayed for 8 years. He had been in part, invited by a Cardinal Giancarlo de Medici. Once there, Rosa sponsored a combination of studio and salon of poets, playwrights, and painters --the so called Accademia dei Percossi ("Academy of the Stricken"). To the rigid art milieu of Florence, he introduced his canvases of wild landscapes; while influential, he gathered few true pupils. Another painter poet, Lorenzo Lippi, shared with Rosa the hospitality of the cardinal and the same circle of friends. Lippi encouraged him to proceed with the poem Il Malmantile Racquistato. He was well acquainted also with Ugo and Giulio Maffei, and housed with them in Volterra, where he wrote four satires Music, Poetry, Painting and War. About the same time he painted his own portrait, now in the National Gallery, London.

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